Fall 2025 Performance
Santiago Bedoya
Santiago Bedoya originally from Medellín, Colombia, began training at Andrea Wolff Ballet in his hometown at the age of eight and attended the summer intensive programs at Miami City Ballet from 2015 to 2017. At the age of 14 in 2017, Bedoya received a scholarship to Idyllwild Arts Academy, a boarding school for the arts in L.A., and moved there to combine his high school studies with dance training. In 2018, he attended the Houston Ballet summer intensive program and received a full scholarship to the professional division. He graduated after three years. During his time at the Houston Ballet Academy, he had the opportunity to perform works by Houston Ballet Artistic Director and Choreographer Stanton Welch A.M, as well as various performances throughout the year-round school program. In 2021, Bedoya was offered a contract with Atlanta Ballet 2, where he was able to expand his training and experience, dance alongside company dancers in several of their productions, and perform leading roles in the second company. Bedoya was promoted to Atlanta Ballet at the start of the 24/25 season.
Cody Berkeley
Cody Berkeley began training in many styles of dance was awarded a full tuition scholarship to the University of the Arts in Philadelphia courtesy of the NYCDA College Scholarship Foundation. Berkeley graduated in 2015 with a B.F.A. in Dance Performance In 2015, Cody joined Clairobscur Dance Company in Los Angeles under the direction of Laurie Sefton. Berkeley then returned home to Dallas to join Dark Circles Contemporary Dance USA. Most recently, Cody has performed with Pigeonwing Dance under the direction of Gabrielle Lamb. Berkeley previously lead the contemporary program for The Ellison Ballet School and currently leads the contemporary program at Greenwich Ballet Academy where he was recently awarded Outstanding Contemporary Coach from Universal ballet Competition in 2024. Additionally, he joined the inaugural cast of Step One Dance Company to teach, tour and perform with Holland America Line. Berkeley teaches mostly where he is based in the greater NYC area while also traveling to guest teach across the country.
Claire Davison
Claire Davison joined ABT as an apprentice in November 2012 and became a member of the corps de ballet in June 2013. Her repertoire includes Pulcheria in Crime and Punishment, Hermia in The Dream, Berthe in Giselle, the Good Fairy in Harlequinade, Mama Elena in Like Water for Chocolate, Madame in Manon, Nanny and Sugar Plum Fairy in Alexei Ratmansky’s The Nutcracker, Olga’s Mother in On the Dnipro, Madame Larina in Onegin, Eldest Sister in Pillar of Fire, Lady Capulet and the Nurse in Romeo and Juliet, the Queen Mother and Spanish Dance in Swan Lake, Diana in Sylvia, Paulina in The Winter’s Tale, and a featured role in Deuce Coupe. She created Katerina in Crime and Punishment and a featured role in Collage & Creed. Davison has created four works for ABT’s choreographic workshops: Mais Oui, Dansez! (2014) for The Innovation Initiative and Bewitched, Bothered and Bewildered (2019), Eve (2022) and The Seagull (2024) for ABT Incubator. Other choreography includes One of Us (2019) for Boulder Ballet, in collaboration with composer Paul Fowler, and Por Ti (2021), with 3AM Theatre, Jeff Seal, and Tyler West, for the Kaatsbaan Summer Festival. In 2021, she was selected as a choreographer for New York Theatre Ballet’s LIFT Lab. Davison received a 2021 Bindlestiff Family Cirkus First of May Award, a grant she used to create the one-woman show Crash Test Dummy in 2022. Also in 2022, Davison choreographed Time Within A Time for American Repertory Ballet, set to the music of Fleetwood Mac.
Rosie Elliott
Rosie Elliott is a New York-based dancer, choreographer, and dance educator dedicated to creating inclusive, affirming, and community-rooted dance spaces. Since 2018, Rosie has made choreographic work for stages, screens, and community settings, with professional commissions from the Knight Foundation and Queer the Ballet. Rosie holds a BA in Dance and Gender Studies from Barnard College of Columbia University, where they performed in works by Trisha Brown, Christopher Rudd, Dual Rivet, Wesley Ensminger, and Roderick George. While at Barnard, they choreographed an original ballet for the Columbia Ballet Collaborative and completed a creative residency at the Barnard Movement Lab. Rosie is excited to be restaging their work "Plasticity/Hope," which was originally choreographed on CBC in 2021.